cooke super 16mm lenses

Cooke Panchro/i Classic FF T2.2; Tribe7 Blackwing7 T-Tuned T1.9; Zero Optik Canon FD; Zero Optik NIKKOR AI-S; . The S4's are nice lenses as well. Unsurpassed Cooke optical quality and color matched to the Cooke S4 Primes T-Stop Range T2-22 Angular Rotation 96 degrees Min Marked Object Distance 200mm/8" Close Focus from Lens Front 35MM/1.5" PL mount is similar to a PV mount in that they both have four flanges and a locking pin but they are totally incompatible -- not only are the mounts a different size and shape (PV is smaller and looks like a "+", PL looks like an "X"), but the flange focal distance of each mount is different. The Cooke S4/i 16mm T2.0 Prime - PL Mount offers superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. I personally love the look of the Kinetals, and used them on my Aaton LTR for Super 16 with no problems. I think they're all good choices and my choice would probably vary depending on the type of project and the look I was after. Many of the cinematographers working today started their careers with 16 mm. Bolex H16 EBM S16 + S16 Zeiss Super Speed MII - Kodak 500T . Views: 4057. Can you gear Kinetal lenses for use with follow focus units? -Front Diameter: 83mm-Close Focus: 1-foot, 6-inches-Weight: 3-pounds 8-ounces-Length: 7.5-inches. Aperture. Oh, and does anyone have an opinion about the Elites? 4x5 LED RGB Variable Contrast Filter Tray, 6x6 LED RGB Variable Contrast Filter Tray. Is it different from the Arri PL mount? Our aerial-capture process produces uniform lighting, unmatched clarity, and stunning color depth. It has been serviced by one of our in-house lens technicians and is backed by our 6 MONTHS PARTS AND LABOR WARRANTY. We cant be responsible for delays caused by bank wire transfers or delays caused by courier services.We cant be held liable for missed rental or work dates. What do you think is the best lenses out there? All rights reserved|Privacy Policy|Terms & Conditions|Los Angeles Web Design by Media Contour. Bolex H16 EBM S16 + S16 Kowa Super Speed - Kodak Ektachrome. I wanted a glass that could achieve a gentleness with no aberrations, a glass that was visually uncomplicated and down to earth. The elements in the lens are free of any scratches, fungus or fogging issues. The Zeiss lenses you're talking about are usually called "Standard Speeds", and were very widely used all through the 70s, 80s, 90s, and even still now. Hmm, I think I remember hearing about Primos in PL, but maybe not. There was a 10-30 T1.6 on eBay a few months ago. Cooke Speed Panchro - TLS Cooke Speed Panchro S1 - TLS Kowa Cine Prominar - TLS . Up next, is a basic purchasing guide to Zeiss lenses, a potentially more affordable option - catching you up on everything you should consider before buying. Their cameras and lenses are only rented, never sold. FULL COVERAGE ON BMPCC! Complete this short form to get in touch directly with the Cooke Team. More and more people are flocking to the small screen to find daily entertainment. In terms of Zooms; the Canon cine zooms I have used have been more than adequate. 2023 Keslow Camera. So, what is the Cooke Look? Is it just me or would anyone agree that Zeiss' color reproduction seems to me much colder, blueish, "clinical" when compared to Panavision Primos, which seem to have a much more sensually warming "flair" (not flare!)? The lenses designed and optimized for 16mm have a rear element that usually sits closer to the film plane. They manufactured 16mm and 8mm cameras and projectors, as well as metal and wooden toys. Old Fast Glass is a Los Angeles based camera rental house. Every focus mark is individually calibrated and engraved on both sides of the focus barrel for ease of use. Wellington, OH 44090 Each Cooke lens is hand crafted at the factory in Leicester, U.K, using a combination of state-of-the-art technology, traditional 100-year-old techniques and personal dexterity that come . Cooke Optics' history is also entwined with that of the motion picture industry - from Chaplin and Laurel and Hardy, through to Goldfinger, Star Wars and Superman, and more recently Game of Thrones, Bohemian Rhapsodyand The Crown. I can't remember where that info came from and I've never used them, so it may be some confusion in my brain. You can find out more about which cookies we are using or switch them off in settings. At The Discos New Album, I would like to be kept up to date on Cooke Optics news, products and events. Used mostly by industry professionals, there arent many young filmmakers with multiple Cookes in their camera bags. All Cooke S4/i primes have a true T2 aperture and cover Super 35mm format. We convert 8mm, Super 8mm, and 16mm film using high fidelity digital transfer technology. Also used a Cooke (i think) Optex converted S16mm zoom which was very nice. All rights reserved. The cam-type focus mechanism allows for smooth focus adjustments. Rich dreamy image quality. ARRI Rental goes behind the scenes on Amazon's flagship fantasy show, captured with ALEXA large-format cameras and DNALF lenses. TheCooke Lookis the sharp, subtle, and smooth rendering fromCooke lenses. I also had chance to throw a few Lomos on my rig which had been PL modified. All Cooke 5/i prime lenses have a true T1.4 aperture and cover Super 35mm format. They use the 35mm Ultra Prime housings with a 95mm front diameter, and they are color-matched to the UP's and Master Primes. BTW, while PL mount has the locking pin on the mount itself, the PV mount has it's pin on the lens and can only be oriented in one way. Focal Length. Cooke Lenses are meticulously constructed to maintain color balanceandtransition in the image. Small and fast lenses for the 16mm format, associated with free-flowing, responsive filmmaking. In 2005, Cooke introduced the S4/i lens which recorded digital protocol, so all lens info was easily available in post-production. Because the shutter is smaller and closer to the gate in the 16mm camera, this helps the design (said in very simple layman's explanation). Cooke SK4 T2Super16/6mm PL Mount LensGreat Savings on a PL Mount Lens! Full Frame Zooms. And what do Cooke lenses do differently? He offers a helpful lens comparison between the Leica Summilux-C and the Cooke S4 and how the subtle differences make all the difference. COOKE SK4 SUPER 16MM LENS 9.5mm Tel: +1 305 515 3274 I couldn't even guess. Assuming mount compatibility, any 35mm lens will cover the Super 16mm frame. Cooke 18-100mm T3 . The . You're right, no point limiting the choice to lenses made specifically for s16mm. Alex Cooke is a Cleveland-based portrait, events, and landscape photographer. USED SET OF 3 COOKE SK4 SUPER 16MM RARE LENSES FOR SALE, SK4s offer Cookes historic look, featuring a warmth and unique bokeh unlike any other lenses. All Cooke 5/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke S4/i, Panchro by Cooke, CXX 15-40mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses. By Cooke lenses have become a staple in Hollywood, because of the particular look, feel, and overall quality of what they produce. 16mm Prime Lenses; 16mm Lens Adapters; Zoom Lenses. I know you probably know that already Dom, I'm just sticking up for Cooke. Email: fred@fjsinternational.com, CLICK ON SPECIFIC PRODUCT CATEGORY TO DOWNLOAD FORM, FJS Group Europe Aaton XTR Prod 16mm . I know there are not a whole lot of choices, but just wanted to see peoples choices and reasonings. They were sold under the Zeiss Punktal label. My favorite PL mount Super 16 lens is the Super 16 Zeiss 11-110. In the end, It's more, for me, about making the director/client happy in the look they want and need for their story than it is about my own love for a particular optic. If anyone is selling them, please let me know . FJS International Pasted as rich text. They came in three different series (I, II, III), and created a warm look, great for skin tone, and that iconic smooth sharpness defining the Cooke Look. The Canon's seem to be still at quite a premium right now (for purchase) although I'd love to try them. This is an old thread, so your new one in the market makes more sense. Cooke S4/i 50mm, T2.0 Prime Lens. Cooke later produced a superb 10-30mm T1.6 Varopancro lens for Super 16mm. Maintenance and damping the tail with suitable lubricant apparently reduces this issue. Is there an adapter? Cooke Lenses are meticulously constructed to maintain color balance and transition in the image. For primes I just can't go past Cooke S4s supplemented with SK4s. Accessible via a cable connector near the lens mount and synchronises with /i compatible cameras and accessories. The SK4's offer Cooke's historic look, featuring a warmth and unique bokeh unlike any other lenses. Cooke S4 lenses made their first appearance in 1998. 16mm Prime Lenses; 16mm Lens Adapters; Zoom Lenses. Cooke developed the SK4 primes for use with 16mm film cameras. Are the Primos available as PL mount? Discover more about the coveted Cooke Look, its distinct yet subtle rendering and the heritage, innovation and craft behind it. I just saw a set go for $560. The links below will bring you to the short clips (Quicktime Required): If anyone is interested in this prime lens set, you can email me at: I have a ex BBC film unit for sale dating begin 1960s. All lenses are color matched to give a . All S7/i prime lenses are colour balanced and colour matched ensuring consistency across the series. All Cooke 5/i prime lenses have a true T1.4 aperture and cover Super 35mm format. Whether you're shooting analog 16mm film, or cropping a digital sensor, we've got 16mm lenses that are worth a second look. Breathing is just something to get used to. Your link has been automatically embedded. Cinematography by Andrea Bassani & Gianluca Bertone, created by Bertone Visuals & Pursuit Aviation. Assuming mount compatibility, any 35mm lens will cover the Super 16mm frame. -Weight: 22.71 pounds. A fast a.c. will keep that 200ft mag loaded all the time. . A motion picture camera rentals resource, dedicated to bringing you world-class service and cutting edge solutions. lenses for 35mm, digital and Super 16mm photography, plus a range of large format stills lenses. I was asking Guy how far they would go, and he said he did not know, but from what the "old timers" at the factory said, they would cover the Academy gate for 35mm, but maybe not as far down as the 12.5mm, maybe more like the 17.5mm on up. Pasted as rich text. Vintage Cooke Glass with a PL mount and the "creature comforts" of modern lenses. StudioBinder is a film production software built out of Santa Monica, CA. The 12.5mm might or might not cover the Academy 35mm frame. Hi. Or is PL the same? We've had many customers from Tampa and they have all been extremely happy with our high quality film transfer services. 4x5 LED RGB Variable Contrast Filter Tray, 6x6 LED RGB Variable Contrast Filter Tray. While not as widespread as it once was, this format offers a wealth of high-quality optics, often compact in size and light in weight. -Covers up to Super-35 Sensors. The S7/i series are a comprehensive line-up of 14 focal lengths from 16mm - 300m, colour matched to Anamorphic/i and Panchro/i Classic. They aren't as clinical feeling; for me, as the newer Zeiss glass. Shooting handheld with ALEXAMini cameras and Cooke S4 lenses on HBOs post-apocalyptic series, based on the popular video game. We can not guarantee a specific date for delivery we can only approximate. Zeiss made a series of high speed ("Super Speed") lenses for the 16mm format which goes from 9.5mm to 50mm. Create robust and customizable shot lists. Were here to help. Now get that set of Master Primes and you're good to go! http://www.ebay.co.uk/itm/351512955467?ru=http%3A%2F%2Fwww.ebay.co.uk%2Fsch%2Fi.html%3F_from%3DR40%26_sacat%3D0%26_nkw%3D351512955467%26_rdc%3D1. We are using cookies to give you the best experience on our website. Cinematography Forums. Paste as plain text instead, Buy Cooke S4/i Cine Lens 16mm Focal Length, T2.0 Prime, Cooke Digital Cine Lenses Specs, Lenses Abakus 132 Converter, B4 2/3" Video lens to PL Super 16mm Film camera Abakus Stadium Lens Panther 16mm format lenses exhibit lower contrast and more warmth than other lenses, while still maintaining decent sharpness for their age and format. No, we were talking about both the Speed Panchros and the Kinetals. I don't know Tim, it seems to me someone at ZGC got things a little confused between the Kinetals and Speed Panchros. Don't go shopping until you have all the details! The camera initially associated with Super 16 was the Aaton, but Arri introduced a Super 16mm version of the 16SR in 1992. I don't think there is any singular "best" lens and we'll all have our own likes and dislikes. $125 Item# C12078 Read More . T3.1 to T22 - 35-140 Zoom. By sinisa.kukic, July 10, 2007 in 16mm. View New S8/i FF Focal Lengths Announced. They also have pleasing bokeh in the defocused parts of the scene. Email: saverio@fjsinternational.com, Calle ngel # 163 Ciudad BelnTocumen, Panam They go as wide as 12mm which is good enough for me (although they did make a couple wider lenses for use with Super16). Your previous content has been restored. The S7/i series are a comprehensive line-up of 14 focal lengths from 16mm 300m, colour matched to Anamorphic/i and Panchro/i Classic. The set includes the Cooke Kinetal 9mm (the focusing one), the 12.5mm, the 17.5mm and the 25mm (which was used for the image below). Except the 9mm one. But he recommended that I test first. Modular construction increases ease of maintenance and serviceability. T2.6 to T22 - 65 mm MACRO. Cooke lenses . We'll continue this discussion over on the 35mm forum. The four lenses are optically beautiful and have all been collimated. Clear editor. Equipping cinematographers with essential information, it streamlines production and post processes while eliminating the need for guesswork. Handcrafted in England since 1894, Cooke lenses have been trusted and favoured by cinematographers for over a century for their unparalleled fusion of sharpness, tonal warmth and depth. I'm pulling some Arri paper together for you. The 35mm format versions can be used in conjunction to expand the focal length range. Just heard from Guy at ZGC and to the best of anyone's knowledge there, the 17.5mm, 25mm and 50mm Cooke Kinetal lenses will cover the Academy 35mm frame, but possibly not the 35mm full frame. All Activity. Small and fast lenses for the 16 mm format, associated with free-flowing, responsive filmmaking. We were also discussing the Speed Panchros, so I know he was distinguishing between the two. Cooke Optics and EZtrack have partnered to create a near real-time workflow which brings together key advancements in lens calibration, machine learning and real-time rendering. The Optex 16mm lenses are relatively sharp for their age and format, but still exhibit nice vintage characteristics like improved focus roll off and lower contrast. The most common Cooke lenses are the Cooke S4s and the original Panchro lenses. By the way, I am selling my Kinetal prime lens set, the ones I used to make the footage on the web site, and the image below. 326 Director Birmingham, AL Posted September 18, 2007 Actually, there are a lot of choices. should of snapped them up. Copyright 2023 ARRI AG. For Direct Cinema-style documentary filmmaking, the Distagon 12mm is a great match. Accessible via cable connector near the lens mount and contacts in mount that sync with /i compatible cameras and accessories. I was shooting sports with the Zeiss 11-110 so closeup wasn't much of an issue. It's a shame as those three lenses are brilliant in 16mm, would love to see them in 35. Your link has been automatically embedded. Master the art of visual storytelling with our FREE video series on directing and filmmaking techniques. Can 16mm Cooke Kinetal lenses be converted to cover Super 16mm? Chances are, however, that the ubiquitous Angniux 12-120 will be sticking on the camera instead-. I had two sets for 3D with two SI2K heads. The Kinetals were made for 16mm, and I don't see how any of them under 25mm, will come even close to covering academy. In 1936, they launched the Keystone Model A-7, a 16mm spring-motor driven camera that operated at seven speeds including 8 fps, 16 fps, and slow motion. Bang for the buck, I'm fond of the Optar Illumina primes. -Length: 16.93 . Stanley Kubrick would have loved this lens. Wide open these lenses exhibit similar properties to Super Speeds where they lose resolution and contrast, extenuating their vintage feel. Cinematographer, Shane Hurlbut shows us some test footage from his work on the 2014 feature, Fathers and Daughters, starring Russell Crowe. -Front and Rear Caps, Visual Products Inc. The 50 and 75 might, but that's about it. This development delivers higher quality composites of shots in a matter of minutes. 1830 Radius Drive, Suite 1314 Here is a link to the site. 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But the Ultra 16-series is a more reasonable choice after all. Most recently, Cooke has come out with a slew of other lenses. The limited set of focal lengths: 6mm, 9.5mm, and 12mm, is meant to step up to the Super 35 Cooke S4 lenses to complete a full set of lenses on 16mm. Cinematographers today use these lenses to get a more vintage feel. USD$ $29,750 FOB. I find them, "snappy", sharp and crisp. I have the ivotal in both 25mm and 50mm. 15 March 2023 New S8/i FF Focal Lengths Announced. Primos are 35mm lenses. All Cooke Kinetals lenses will cover the super 16 format. Haven't seen the Cooke at rental houses around me. The Fujinon 16mm f/2.8 R WR Lens: Compact, Super Sharp and Fun. They're 35mm lenses, and I believe the widest is 10mm and the longest is 150mm, with lots of choices in between. The Best Super 16mm LENSES what is your pick. The Cooke SK4 Super16 T2.0 lenses are made specifically to complement the 35mm Cooke S4 Primes when using the set to shoot in 16mm/Super16. Its a set of 7 Cooke Kinetal 150, 100, 75, 50, 37.5, 17.5, 9mm. what's a set of cooke 16mm primes in good condition worth? There are more accomplished folk who can do that far better than myself. i/ Technology is an open protocol designed by Cooke to enhance the filmmaking process by making equipment digitally compatible, streamlining both production and post. They looked good-- a bit soft but I find that ok most of the time-- however the mechanics and the markings in meters really made them difficult to work with. I believe the flange distance is the same for the Arri 16mm and 35mm cameras, it's the physical size of the mirror shutter that mucks things up. I wish reading glasses were made out of the same materials. If you had the power to use any. I would like to be kept up to date on Cooke Optics news, products and events. Anamorphic Lenses available: 25, 32, 40, 50, 65 Macro, 75, 100, 135, 180, 300mm and 35-140 Zoom Anamorphic with 2x squeeze. They are great for use with gimbal stabilizers and drones! It has been serviced by one of our in-house lens technicians and is backed by our 6 MONTHS PARTS AND LABOR WARRANTY. All Cooke 4/i prime lenses are colour balanced to a specification Cooke 5/i, miniS4/i, & Anamorphic/i. Congratulations on your new Arri 35-2C camera. The S7/i FF lenses are designed to provide maximum performance at full aperture with superior control of flare, distortion and spherical aberration. Lenses: Cooke S4 lenses for the spherical scenes, . Just wonderingif you could shoot with any prim set for super 16mm what would you pick and why? But not being able to use my 35mm M42 lenses could actually be a good thing, that's one less thing I have to worry about! The available range was 9mm, 12.5mm, 16mm, 25mm. The S7/i series of prime lenses feature a nine-leaf linear module iris assembly, providing an aperture range of T2-T22. We offer a choice of PL and LPL camera mount options, designed specifically for use with our lenses. They just seem like this unobtainable fantasy set. Defining the Style. sinisa.kukic, July 10, 2007 in 16mm. All Cooke 5/i prime lenses are colour balanced to a specification within parameters approved by Kodak and are colour-matched and compatible with Cooke S4/i, Panchro by Cooke, CXX 15-40mm T2 S4/i Zoom, 18-100mm T3.0 and 25-250mm T3.7 and the SK4 16mm lenses. My Bolex 16 Pro came with one, and I still resent that as I would have loved to see the alternative, highly-praised and rather rare Schneider 10-100mm on it (as I had better experiences with Schneider lenses over Angnieux lenses when filming on the Super 8 format). Reason? -PL Mount This product is backed by our 6 MONTH PARTS AND LABOR WARRANTY. USA, NEW! While not as widespread as it once was, this format offers a wealth of high-quality optics, often compact in size and light in weight. Read this brief article to find out, and watch the accompanying comparison videos to see how Cooke compares with its competitors. Index Marks Finally got a chance to test the Cooke Kinetal 12.5, 17.5 and 25mm lenses on an Arriflex 35mm IIC, and they won't even fit.
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