However, the corners have some definite issues, especially wide open. The four lenses are the Viltrox 13mm f/1.4, Rokinon 12mm f/2, 7Artisans 12mm f/2.8, and Laowa 9mm f/2.8. I just wanna be sure because it is considerably cheap but if the quality is as low as mentioned in the post then I dont mind paying a little more for better. And Ive some good experiences with a moon & skyglow filter mounted inside an adapter used with the 24mmF1.4 and a modified A7s (H-alpha). Laowa has designed the lens such that it does not suffer from much distortion, hence the Zero-D designation for Zero-Distortion. This makes it especially useful when shooting architecture, as resulting shots should retain straight lines. Stopping down does wonders for fixing this. Because this differs from I have read elsewhere I didnt post the results yet and decided to further investigate this. Your email address will not be published. As a all around lens for landscape and architecture. A friend purchased a Samyang-branded equivalent that did not perform as well. I have used them both and image quality is pretty close, the Samyang is a bit better at f/4, so that shouldnt be the deciding factor. Venus Laowa 12mm f/2.8 robust but suffers from edge-to - Photofocus What is a 12mm lens used for? They look terrible compared to the others, but the Samyang looks OK on the corner crop?? The manufacturer told me they will be looking into this. Despite the Zero-D(istortion) in the name of the lens there is some slight barrel distortion visible even at infinity. For all you need a filter adapter, but different ones: for the 12mm 5.6 M39 there is a 77mm adapter. The handling is excellent. Not too bad though, considering the wide aperture. I havent seen this approach on any other lens and I think it is simply a great idea, as it allows the use of (smaller) square filters while still offering decent protection against stray light when necessary. I intended to adapt via the Sigma MC-11 adapter. When I tested five ultra-wide lenses side by side for astrophotography, the Laowa came in last in overall performance. DxO PhotoLab 4. I however mainly use this lens for Astro shots as it is super wide, allowing for a great deal of flexibility when you want to fit in some foreground as well as much of the night skies, including the Milky Way as possible. The first is very short and non detachable. This is not a fish-eye lens. Copyright 2013-2022 Lonely Speck LLC. I purchased this lens in late 2017 hoping that it would both expand my kit into the ultra wide angle range as well as give me a good option for astrophotography. To put it short and simple, the manual focusing experience on the Laowa 12mm F2.8 was superb. $ 1,529.00. After all, a good lens during the day might be a dud for resolving pinpoint stars in a photos corners at night. One is a 12-24mm zoom with AF, the other is a 12mm prime with manual focus. A perfect manual correction in cases like this can be pretty tricky: One area where the Laowa 12mm f/2.8 does fairly well is in chromatic aberration. Congrats. While wide, the Laowa is a rectilinear lens providing straight horizons even when aimed up, as shown above. I created this comparison in the first place because I had access to these five particular lenses at one time, but it doesnt mean they are the only good choices out there. This is probably the first one you are all thinking about. There arent many ultra wide angle lenses as fast as this. You might want to keep the 10-18mm for now to check whether you still need Significantly slower and smaller, way more vignetting (especially stopped down), similar performance regarding distortion and better flare resistance (not available for DSLRs, just in case some DSLR user ended up here and got curious ), Canon 11-24mm 4.0L and Zeiss 15mm 2.8 Distagon: I would have used 15 seconds max. In real-world images, I can only see a bit of chromatic aberration in something like tree branches in the corner of an image. 'Zero-D' means no distortions. But one should also keep in mind: there is no better 12mm as fast as f/2.8 available, there might not even be any better 12mm available in this regard. You might want to wait for the Laowa 15mm 2.0 though (native e-mount, true mirrorless design), which is what I am doing. These lenses have more optical problems than just coma, which is the classic issue with astrophotography. Unfortunately this adapter seems to not work properly with all manuael lenses so I tried a K&F adapter without electronic contacts which lead to awful image quality in the corners. I had ordered it to be native E-Mount. From your sample images I would infer that the sharpness of the Laowa 15mm is noticeable better than the sharpness of the Laowa 12mm (used with an adapter on E-Mount, as you did here). You have tested both this lens (Laowa 12mm f/2.8 Zero-D) and the Laowa 15mm 2.0 Zero-D for E-Mount. That means that the camera and RAW editors will not be able to automatically receive aperture data nor retrieve lens profiles automatically. Mirrorless users have to decide if they can make use of the maximum aperture and/or need the better corrected vignetting stopped down in comparison to the Voigtlander lenses. Your email address will not be published. Hey, thanks for the awesome Review. In addition to taking real estate images, I'm a real estate videographer as well. But set that apart, it seems that in terms of sharpness (and also in other aspects of image quality) the 15mm surpasses the 12mm, right? In addition to the exceptional build quality, the Laowa 12mm F2.8 is downright gorgeous. Next up, flare resistance is pretty solid, but not always. For those who shoot Sony FE a new option is the Tokina Firin 20mm f2. In reality, you wont notice the minor corner softness unless youre shooting with a high megapixel body such as the a7RIV. Nevertheless, it is still very low for a lens this wide with a retrofocus design and it does not seem to be wavy as well (and therefore easy to correct in post if necessary). The Samyang 14mm f/2.8 and the Irix 15mm f/2.4 are very close in performance practically a tie. Less vignetting, way heavier, more expensive, more (and wavy) distortion, coma might be a tad better (judging by the photos in my archives taken with this lens, havent shot side by side). Importend because for some glasses it was not always like this They allow the photographer to fill the frame with a single exposure rather than using panorama techniques, and they allow for longer exposures without significant star trailing. Laowa 15mm f/2 FE Zero-D Lens Astrophotography Review A truly wide-angle prime featuring a rectilinear optical design, the Canon RF-mount Laowa 12mm f/2.8 Zero-D from Venus Optics is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects. One unfortunate omission from the lens is an electronic chip allowing for native EXIF data back to the camera. See: https://vimeo.com/209420902. There is, however, a downloadable lens profile on the Venus Optics website. The only other thing to note is that theres a weird keystone effect when shooting upwards. The weight, however, is quite hefty, weighing a rather chunky 21.4oz (608g). Setting the aperture to f/2.8 lets in an awesome amount of light, combined with a high ISO you wont have any problems capturing the night stars! If you like our content, you can subscribe to our newsletter to receive weekly email updates using the link below: Using Wide Angle Lenses for Street Photography, Photographing Iceland Using Ultra Wide-Angle Lenses. But there is no trial product at any shop near my place, the only way I can get this lens is to order online. Not sure if other similar lenses (less wide) are much different though. Bastian. Overall, its really not a problem, but I figured it was worth mentioning as it does dispute the zero-d claim of this lens. Wide-angle lenses are quite handy for landscape astrophotography. No joke its tricky to do vertical compositions from this lens without capturing part of your own tripod in the shot: On top of that, when youre at 12mm, you have to get so close to your subject that you introduce severeperspective distortionto your images. In direct comparison you can once more spot the wavy distortion of the Samyang while the Laowa keeps things pretty straight. The 12mm 2.8 Laowa has a gnomonical projection while the 12mm 2.8 Samyang has a stereographic projection. Thank you! If you have any questions about photography or just want to share a story,contact us! Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It is a very interesting time for wide angle junkies like me: after the smallish Voigtlander 10mm 5.6 and 15mm 4.5 I now get the chance to review the fast Laowa 12mm 2.8 Zero-D. To start, well talk about the size of the lens. You can upload it somewhere and just share the link here. If so it could maybe be better to buy a Canon or Nikon mount. in my knowledge, this DOES NOT make it the widest FF lens at f/2.8. Thanks for the review. - Sony 24-70mm F2.8 GM -- Rokinon 24mm F2.8 -- Sigma 16mm F1.4 -- Rokinon 135mm F1.8 -. Have you spoken to Venus about testing the Laowa 15mm f2 fe due in couple of month and is it worth waiting for when I have a A7? Not bad at all: However, I have to point out that there are more important components of optics today than distortion. There are different mounts available, depending on which camera brand you use, such as Canon, Nikon, and Sony. I cant believe you didnt comment on it, Quote from the review: The lens also showed some green color cast in the corners on the Sony A7rII The silver ring near the lens mount combined with the blue ring near the front element look excellent, completing the premium look and feel of this beautiful lens. When shooting stars coma often is not as obvious as when shooting cityscapes. I dont mind this type of performance; it means there is usually a composition in the field that minimizes flare better than most ultra-wide lenses. That lens isnt available on the camera he was shooting with so dont count on it. How to: Correcting Color Cast in Lightroom, Analogue Adventures Part 20: Kodak Color Plus 200 ECN-2 processed, https://en.wikipedia.org/wiki/Fisheye_lens#Mapping_function, User guide to Ultra Wideangle lenses for the Sony Alpha 7 series - phillipreeve.net, The Team's Christmas Gift Guide for photographers - phillipreeve.net, 12mm F2.8 Zero-D | , Ultra Wide Angle Lens with Zero Distortion, Laowa 12mm f/2.8.Venus Optics brings the Worlds Widest f/2.8 lens for Full Frame cameras with Invisible Distortion, Superb Optical Quality & Tiny Size. Whats to make of such varied behavior? I really like this lens but the flare resist and the sun stars are hold me back. The above shot was a shorter exposure to try to keep the scene even with the very bright cabin contrasting against the dark sky. Thank you very much for the review! This is the best lens at the moment that I own to take night time photos that are pin sharp with a super wide-angle that is not distorted. Theres absolutely no plastic anywhere with the exception of the lens cap. And the adaptor on your pictures is WAY smaller. The lens also comes with a large metal petal-style hood, further accentuating the premium feel of this lens. Wide-angle lenses are quite handy for landscape astrophotography. I think it is the smartest choice for APS-C. (I do not own any of both lenses). Is this correct? I really had to push this lens to produce some flares with the sun inside the frame. Of course, your individual camera and settings will also play a part in the final result, like any lens. The Nikon 14-24mm f/2.8 presents a close challenge to the Rokinon, but there are a few issues that prevent it from taking the top prize. the 13-16mm range as 10mm offers a pretty dramatic perspective. Note: a representative of Laowa has informed lonelyspeck.com that Laowa quietly changed the aperture design on the 15mm f/2 in 2019. By chance did you notice anything like that? This can make trees and other tall, straight objects look very odd depending on your angle. Laowa also informs us the new 5-bladed aperture has straight blades. You can take photos where the flare is a giant, unsightly blob: But then moving slightly will practically eliminate flare: In some cases, when the sun is out of the frame, you will end up with significant levels of veiling flare: But when the sun is in the photo, contrast almost always remains high, and veiling flare is hardly visible: It almost looks like the photos above were taken with four different lenses! Do you have any insight on this? At f/2.8, the aberrations tighten up and become less apparent. We'll assume you're ok with this, but you can opt-out if you wish. I have read and agree to the Privacy Policy. Is that normal? Laowa 12mm f/1.8 MFT. Other reviews have said that this lens throws out the cameras metering. That high brightness makes the Laowa ideal in principle for astrophotography, because you can keep your shutter speeds relatively short. The shorter exposure time allows better control over star trails from the ultra wide angle rectilinear projection. I also sent back the Sigma 20 f1.4. Not clear for me, does the 12mm always need and come with an adapter ? I've been practicing photography for about a decade.
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